Shesh Boley Kichu Nei
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Subhashree Ganguly,
Direction: Anjan Dutt
If the story of Shesh Boley Kichu Nei is all about the impact drug addiction
has on the lives of the abusers, their families and friends, it fails to hit
the nail on the head. It beats about the bush too much before getting to the
point.
In fact, the first half is borderline boring. It
seems more of a mono act with grey undertones, as writer Animesh Roy roams the
back alleys of Bangkok to deal with the emotional
turmoil triggered by an email from one Judhajit Royaka
Jojo. The author of the email claims to be the estranged son Animesh had left
behind with his father-in-law (Soumitra Chatterjee) 30 years ago, when he fled India to cope with his wife's
death during childbirth. Animesh's subsequent return to Kolkata, discovering
that his son has died in a road accident and finding out that Jojo was a drug
addict, but a talented songwriter, culminates in the desperate quest of a man
for his son's creations — his songs. This leads him to Jojo's friends Kakoli aka
Koko (Subhashree) and Andy ( Jisshu
Sengupta), and, in turn, the dark underbelly of the City of Joy , where disturbed youths
find peace in the den of drug dealer Mercury (Arijit Dutta). Then, as we shift
in our seats trying to imagine what will happen next, we are treated to this
cliched goon-gets-an-oil-massage scene in the den. Cut to a 'violent' scene
where a dangerous criminal vents his anger on Animesh by slashing his nose!
Come on! An urban audience doesn't expect such frivolity nowadays, especially
when it comes to violence. A hard punch on the nose would have been far more
realistic.
But then again, there are two departments that
shine — acting and music. With heavyweights like Anjan Dutt, Soumitra
Chatterjee and Jisshu
sharing screen space, you're treated to a master class in acting. Each excel in
their own right. Bratya Basu,
who plays Kunal — a character, we had to assume, was Animesh's long-time
friend, as the relationship is never mentioned — shines in his 15 odd minutes
of screen presence. Even Subhashree is good, though she seems a little ill at
ease playing the girl next door with an attitude. Neel Dutt's music is as good as we can
expect from anAnjan Dutt movie,
though it seems a bit understated. The songs, though, are perfectly placed in
the storyline.
But the way the close interactions are shot
deprives the audience of experiencing the emotions involved. Most scenes, where
the audience actually needs to connect to the characters, are tight and close,
focusing only on the speaker. Though there is nothing wrong with this
technically, it gives the film a bone dry feel when it comes to emotions,
though the story is through and through an emotional one.
Then again, it is pretty difficult to digest the
speed with which a cocaine and heroin addict transforms from a hallucinating
vegetable to a singer of repute. Though Jisshu is perfect to the T, the way the
whole rehabilitation process is presented seems a bit far-fetched. If you love watching acting
powerhouses at work and listening to good music, do grab a ticket to Shesh Boley Kichu Nei. You may not walk out
overwhelmed, but you will be entertained.
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