Old is Dold HEMANTA MUKHERJEE (LEGEND) Review and Songs

HEMANTA MUKHERJEE

Hemanta Mukherjee was a singer, composer, and producer in the Hindi and Bengali film industry.  He is practically known for his Bollywood songs from the 1950's and 1960's.  In his career, he recorded roughly 2000 songs.

Hemant Kumar Mukherjee was born on June 16, 1920 in Benares (Varanasi).  He had three brothers and one sister. Though he was born in Benares, his family originally recognize from Baharu in West Bengal.  When he was young, his family move to Calcutta.  There he grew up and attended Mitra Institution school of Bhawanipore.  After he graduated from Intermediate, he attended Jadavpur University and began studying engineering.Hemanta participation in music began early.  He sang his first song in All India Radio in 1933.  His age was only 13. 

However it was never clear that Hemanta would become a singer.  His original training was in engineering, but he released out of the University to persevere other paths.  Initially he tried his hand at writing ; he even managed to have a short story published in a major Bengali magazine.  But after a while it became clear that his calling was music.

Hemanta had a understandable degree of formal training in music.  He had respective teachers.  The major portion of his training seems to have been under Sailesh Duttagupta.  He also studied under Phani Banerjee, and received his training in Rabindra Sangeet under Anadi Dastidar.  Later he was a supporter of the great Faiyaz Khan.  Unfortunately this last training did not last very long, it ended with the death of Faiyaz Khan in 1950.

It was in 1937 that he recorded his first disk.  The names of the songs were Janite Jadi Go Tumi and Balo Go Balo More.  The lyrics to these songs were written by Naresh Bhattacharya and the tune and arrangement was by Sailesh Dattagupta.  This was recorded under the Columbia label.  Thereafter he had a continuous output of non-film songs from the Gramophone Company of India up until 1984. His career as a film playback singer began with the Bengali film "Nemai Sanyas"; this was released in 1941.  After that he did playback for a number of other Bengali films.

The Bengali film industry was good training ground, but for him to fulfill a wider audience, he had to work in the Hindi film industry.  He was first able to sing his first Hindi film song in "Irada" which was released in 1944.  This was under Pt. Amarnath's music direction. But Hemanta wanted to represent that he could do more than just sing.  He wished to show his proficiency as a music director.  He was first able to do this in the Bengali film "Abhiyatri" in 1947.  These were all very fine achievements, but he was just not able to attain commercial success.

This period of life was marked by a properly normal personal life.  In 1945 he married Bela Mukherjee, who was also a Bengali singer.  Together they had two children, one boy named Jayant and one girl named Ranu.  It is pleasurable to note the the son Jayant married the 1970's film actress Moushmi Chatterjee.

The middle of 1940's was a unrestrained period in Indian history and Hemant felt committed to use his art for social and political development of the people.  The waning days of the British Raj made the problems of imperialism very evident, and multifarious social discrimination cried out for some resolution.  When these problems did not go away after Independence, many people felt they could no longer remain quiet.  In this environment, it is no surprise that Hemanta joined Indian People's Theatre Association (IPTA).

The purpose of the IPTA was to create works of art that would raise the political awareness of the common man.  Plays, music, and other dramatic works were created with the aim of concentrate on the social and political abomination of the day. The IPTA was administered by the Communist Party of India, but not all of the participants were members of the party.

Hemanta’s time in the IPTA may not have done much to advance his career financialy, but it was not without its betterment.  First it gave Hemant Kumar the satisfaction of standing up for his beliefs.  It also produced some interesting work ; especially notable was his partnership with Salil Chowdhury.  In 1948 he sang an epic 6 min. song.  This song was entitled ‘Ganyer Badhu’.  It is said that when this song was released, Salil was not present because he was covering from police.  The success of this song surface the way for a number of other partnership with Salil Chowdhury in the future.

Other music directors also began to take note of his qualification.  In the late 1940's Hemant started to compose music for a director named Hemen Gupta.  This association would produce life changing results.

This association with Hemen Gupta led Hemanta to Bombay in 1951.  Sometime earlier Hemen Gupta moved to Bombay to work in the growing and lucrative Hindi film industry which was developing there.  Hemen liked Hemanta's music so he called him to Bombay to be the music director for his first Hindi Film.  This was "Anand Math" (1952) and was released under the Filmstan banner.  This movie may not be intentional a great hit, but it performed well enough for the Hemanta and  Hemen Gupta partnership to produce several more films together.

Hemant's fortunes were about to change.  He had been working very hard in the film industry for many years, yet popular commendation was slow in coming.  It was SD Burman who gave him his break for the film "Jaal" (1952). The song from this film Yeh Raat, Yeh Chaandni Phir Kahan, became a big hit, and connect his position as a major playback singer.

Hemant began to work as a music director.  His music directed flim’s areu "Nagin" (1954) "Jagriti" (1954), "Bees Saal Baad" (1962), and "Khamoshi" (1969).

In the 1950's, Hemanta had a varied artistic life.  In Bengal he was known as a major representative of Rabindra Sangeet.  In Bombay he now had two occupations.  He was known by many as a successful playback singer, and to others he was a music director.  However that was not enough for him; he also tested in as a film producer.  He established a film company by the name of Hemata-Bela whose first production was the Bengali "Neel Akshar Neechay" (1959).  This film company was later renamed as Geetanjali Productions; under this banner, films such as "Bees Saal Baad", and "Khamoshi", were released.

Acknowledgment came his way in the 50's and 60's.  In 1955 he won the "Filmfare Award for the Best Music Director".  This was for his film "Nagin" (1954).  He won the "Presidents Gold Medal" for his film "Neel Aksher Neechay" (1959).  He also received many other awards.

In 1980's health problems began to take their assessment.  In 1980 he had a heart attack.  Although he recovered this impacted his abilities. His last concert was in September of 1989.  He went to Bangladesh to receive the Michael Madhusudhan Award.  There he gave a representation in Dhaka.  Upon his return he had a severe heart attack and died on September 26, 1989.  

Though Hemant Mukherjee died long ago, there are constantly re-releases of his old material.  Sometimes these are mere repackaging of his older works and at other times they are remixes.  Today, several decades on, he is fondly remembered for giving us some of the most unforgettable songs ever to come out of Bollywood.

HEMANTA MUKHERJEE Bengali song Download here :
HEMANTA.VOL.1


HEMANTA MUKHERJEE Hindi song Download here :
Hemanta vol.1 

Old is Gold MANNA DEY (LEGEND) Review and Songs

MANNA DEY

Manna Dey was a imaginative figure in the world of Indian music. His fame was not just restrained to the Indian domain but to every part of the globe, where an Indian heart continue. People reverence and reverence him not only for his musical bearing but because he illustrate a wonderful consolidation of resonance and poetry. His stance in Indian music justifies the proposition – the art survive the artist.

Born on May 1, 1919, Manna Dey was dedicate by his parents as Prabodh Chandra Dey. Their was an authoritative joint family of North Calcutta. Prior to Manna Dey another knowledgeable artiste of similar stature Krishna Chandra Dey too was born in this very house. Purna Chandra Dey was Manna Dey’s father and Mahamaya Dey was his mother. From very childhood Manna da straightforward a keen liking for sports like wrestling and boxing and transcend in both. Apart from sports, the singer was also renowned for playing pranks upon people.

It was during his intermediate classes at Scottish Church College, Dey’s singing talent became apparent. He started taking singing lessons from his uncle Krishna Chandra Dey and from Ustad Dabir Khan. And it was at this period of time Manna Dey stood first for three consecutive years in three different categories of inter-collegiate singing competitions.

In 1942,  Dey accompanied his uncle Krishna on a visit to Mumbai. And there under the guidance of his uncle, then Sachin Dev Burman, Manna da started working as a successful assistant music director. But the composer never stopped taking musical lessons in Hindustani Classical music from two classical substantial, Ustad Aman Ali Khan and Ustad Abdul Rahman Khan.

The imaginative singer started his career in playback singing with Tamanna in 1943. The musical score was set by his uncle Krishna and he had to sing a duet with Suraiya. The song was an imperative hit. People across the country loved the song. In 1950, Mashal was the second film where Manna Dey got the convenience to sing a solo Upar gagan vishal and this time the melody was created by Sachin Dev Burman.

Manna da, as he was fondly called, was a perfect singer who could sing any category of song. From qawaalis (Yeh ishq ishq hai) to romantic duets (Pyaar hua ikraar hua), fast numbers (Aao twist karein) to patriotic songs (Ae mere pyare watan), prayer numbers (Tu pyaar ka saagar hai) to classical gems (Laaga chunari mein daag, Tere naina talaash kare, Poocho na kaise, Aayo kahaan se ghanshyam and Jhanak jhanak tori baaje paayaliya and Phool gendwa na maaro) among other gems.

Being the multifaceted genius he was, he won the Filmfare Award for Ae bhai zara dekhke chalo from Mera Naam Joker. The singer had sung several notable numbers for Raj Kapoor that made him the showman’s voice. Though he was controversial the most talented amongst his contemporaries, yet the career graph of this great singer never reached dizzy heights considering tough controversy from Mohammed Rafi and Kishore Kumar.

It was on December 18, 1953, the composer-singer got married to Sulochana Kumaran and the couple was blessed with two children – Suroma and Sumita. He instigate a new genre in Indian music where he infused Indian classical music within a pop frame work. His experimentation with western music too produced many unforgettable melodies like .

The multytalented singer had recorded more than 3,500 songs. His music has fascinate the audience throughout the world. And understandable he has been deluge with multitudinous National Award and titles. After being hospitalised for brain haemorrhage for nearly four months, our dearest Manna da died on October 24, 2013.

With Manna Dey’s passing away, Bollywood’s music world has absolutely lost one of his most precious masterpiece. Our earnest consolation to his family.

MANNA DEY Bengali song Download here :

MANNA DEY_VOL 1 

Bengali Babu English Mem (2014) Bengali Flim Review

Bengali Babu English Mem

Banner:- Shree Venkatesh Films
Director:- Ravi Kinnagi
Producer:- Shrikant Mahota
Genre:- Love & Comedy
Star Cast:- Soham, Mimi Chakrabarty & More
Music Directors:-Rishi Chanda & Dabbu
Choriographer:- Baba Yadav
Playback Singers: Arijit Singh, Rishi Chanda, Shaan, Jonita Gandhi,
                                      Satrujit Dasgupta, Nakash Aziz, Aditi Paul.

Madhusudan Dutta (Soham) is a characteristic Bengali, who associate to a normal acceptable household. But his dreams are way above the normal, and he only imagination of getting married to a Canadian woman. This straightforward wish is the plot of Director Ravi Kinnagi's Bengali Babu English Mem. Madhu is all set to trip to Canada to bring himself a beautiful Forener wife. As he readies himself for the inquisition, he meets Ria (Mimi Chakraborty), the two keep crossing paths time and again. What begins from the visa office ends up in love in conclusion, but the turning point though obvious happens through a series of incidents. While Madhu and Ria characterize each other on the flight to Canada, but they decide they will not meet each other again as their destinies and purpose for Canada are different.

As the two steps on the Canadian soil, they again get together. They both end up in the same house as resident and are forced to adjust with each other, even though they had promised otherwise. Madhu directly sets out on his search, while Ria gets busy with her own aspiration. Both actors Soham and Mimi are good in their respective roles and entertaining at times. But what set Bengali Babu English Mem exclusively of course the music and the dialogues. The songs already are hits and are definitely high on their entertainment value. The music is very fascinating for the crowd. 

While Madhu keeps searching for his ideal Canadian love with Ria's help, trouble breaks free for them as Vikram steps into the plot. He is apparently Ria's boyfriend and is ready to bring Ria back to the country for wedding. The story from here takes the much anticipate leap towards a lovey dovey determination.

Bengali Babu English Mem is a good watch and is high on the satisfaction result. The simple story of love, which happens but over a lot of other happenings brings out a cute storyline with ease. There is love, there is joy and there is music to make the film score some extra fairy.

 

Flim All Song Download here :

Bengali Babu English Mem all song 

Bengali movie Taan(2014) Bengali Flim Review

TAAN

Producer: Surojit Hari
Director :Mukul Roy Chowdhury
Cast : Rituparna, Rajesh Sharma, Debleena Dutta
Music : Indredeep Dasgupta
Sound : Anup Mukherjee
Screenplay :Sebasish Banerjee
Writer : Al mamud.

The description — shake with a dash of difficulty, lots of tension, emotion  no doubt takes off on an interesting note. But dear, when it comes to implementation, it let down big time. With an disconcert low production value coupled with shoddy camerawork, Taan comes across more like a narrative than a feature film.

So when Saju (Sumanta) doesn't return from Sundarbans — long after his photography assignment gets over — his two friends, Lisa ( Pamela Singh Bhutoria), a model, and John ( Debdut Ghosh), an ad filmmaker, decide to go in search of him. overlook the information of the police about the dangers ahead, Lisa and John decide to visit Maranpurer Haat, where Saju was seen last. There, John is attacked by the lord of the jungle, Jehangir Sardar (Rajesh Sharma), whose word is intentional law on the islands. An angry John refuses to take further chances and they return to Kolkata. Lisa, though, is discouraged. She plans on how to go back again and find Saju, with whom she was fascinating involved once. Lisa, with the help of a doctor friend (Kaushik Sen), finds clues that seem like a game and she finds herself drawn into a uncertainty. Finally, she meets the Jalbeshyas, who are forced into flesh trade by Jehangir Sardar. Lisa had seen their photographs, which were taken by Saju. What happens next? Now, will Liza ultimately find Saju is for the viewers to find out.

The story so far is stimulating, but one wonders how much research has gone into sketching the characters of the Jalbeshyas. Here, the director must understand that mere skin show is not enough, if it is not justified and backed by solid performances. "Babu koto jonmer aasha, pipasha niye boshe achhi tomar jonnyo," — when Sundari aka Rituparna Sengupta mouths these words for Saju, it almost makes you cringe. All with her sari protected low around her middle, the aanchal that maintains its regular free-fall and disclose her cleavage, her hair held back with a vulgar bandana— Rituparna's performance spoil it all. On the other hand, Deboleena as Meghna is somewhat incontrovertible. And as if punishing the viewers with one Sundari wasn't enough, the film's villain, Rajesh Sharma appears responsible bored. Debutant Sumanta, with his curly locks, looks good on screen, but sadly fails in the acting department. Kaushik, Debdut and Pamela have done a fairly good job.

There are a few continuity lapses as well in terms of make-up. Sometimes the dialogues are too difficult to incorporate. The saving grace, however, is the editing part. The film doesn't proliferation anywhere more than required. Overall, Taan is film that makes an accomplishment but goes absolutely off target. This flim not fullfilling the audience satisfaction.

 

Flim All Song Download here :
TAAN full Songs 

Old is Gold LATA MANGESHKAR (LEGEND) Review and Songs

Lata

Lata Mangeshkar was born in Indore on September 8, 1929, and became, absolute simply, the most accessible playback singer in Bollywood's history. She has sung for over 50 years for actresses from Nargis to Preity Zinta, as well as having recorded albums of all kinds of song.  Before the 1991 edition, when her entry retreat, the Guinness Book of World Records listed her as the most-recorded artist in the world with not less than 30,000 single, duet, and chorus-backed songs recorded in 20 Indian languages between 1948 and 1987. Today that number efficiency have reached 40,000!

His father Dinanath Mangeshkar  was the owner of a theater company and a considered classical singer  in his own satisfactory. He started giving Lata singing lessons from the age of five, and she also studied with well-known singers Aman Ali Khan Sahib and Amanat Khan. Even at a young age she shown a God-given musical gift and could master vocal performance the first time.

Ironically, for someone of her stature, she made her entry into Bollywood at the wrong time - around the 1940’ s, when bass singers with heavily voices, such as Noor Jehan and Shamshad Begum were in style. She was deserted from many projects because it was believed that her voice was too high-pitched and thin. The resources of her entry into the industry were no less unfortunate - her father died in 1942, the responsibility of earning income to support her family fell upon her, and between 1942 and 1948 she acted in as many as eight films in Hindi and Marathi to take care of economic tribulation. She made her introduction as a playback singer in the Marathi film Kiti Hasaal (1942) but, ironically, the song was edited out!

However, in 1948, she got her big opportunity with Ghulam Haider in the film Majboor (1948), and 1949 saw the release of four of her films: Mahal (1949), Dulari (1949), Barsaat(1949), and Andaz (1949); all four of them became runaway hits, with their songs reaching to heights of what was until then unseen popularity. Her unusually high-pitched singing represented the trend of heavily nasal voices of the day totally antiquated and, within a year, she had changed the face of playback singing forever. The only two lower-pitched singers to survive her treble offensive to a certain expansion were Geeta Dutt and Shamshad Begum.

Her singing style was initially nostalgic of  Noor Jehan, but she soon overcame that and elaborate her own distinctive style. Her sister, Asha Bhosle, too, came up in the late 1950s and the two of them were the queens of Indian playback singing right through to the 1990s. Her voice had a special multifaceted quality, which meant that finally music composers could stretch their creative speculation to the fullest. Although all her songs were immediate hits under any composer, it was the composers C. Ramchandra and Madan Mohan who made her sound her sweetest and challenged her voice like no other music director.

The 1960s and 1970s saw her go from, even as there were allegation that she was monopolizing the playback-singing industry. However, in the 1980s, she shorted her workload to consolidate on her shows abroad. Today, Lata sings occasionally against a sudden renaissance in her popularity, but even today some of Hindi Cinema's biggest hits, including Dilwale Dulhania Le Jayenge (1995), Dil To Pagal Hai(1997), and Veer-Zaara (2004) feature her well-known voice.

No matter which female playback singer breaks through in any generation, she cannot replace the timeless voice of Lata Mangeshkar. She is an icon without icons....

Lata Mangeshkar Bengali Songs Download here :

Lata Vol-1 

Old is Gold KISHOR KUMAR (LEGEND) Review and Songs

KISHOR KUMAR

Abhas Kumar Ganguly (Kishor Kumar) born in 4th August, 1929, friendly called Kishore Da, was one of those very few singers who took risks and examination with different styles of music. Intentional to be a legend in Hindi film world, this many talented person has transcend as a playback singer, actor, composer, lyrics writer, director, producer and script writer. The songs of Kishore Kumar have an unimaginable blend of romance, emotions, naughtiness and sadness. We attempt to present the life history of Kishor Kumar in this short profile.

Kishore Kumar was born in a Khandwa located in the state of Madhya Pradesh. He was born in a normal Bengali family and was the youngest among his brother. He had two elder brothers (Ashok Kumar and Anoop Kumar) and a sister (Sati Devi). His father Kunjilal Ganguly was a lawyer by profession and his mother Gauri Devi was from a comfortable family. When his eldest brother Ashok Kumar became an actor, Kishore Kumar was still quite young. Later on, his second brother also tested into movies to become an actor.

Kishore Kumar also started to show interest in music and often caricature the great K.L. Saigal. Though he did not have any formal training in music, he decided to accompany it and followed his brothers to Mumbai. It was his dream to become a famous playback singer and be counted among narrative. He would often go to the studios and ask producers if he could sing on the movie's soundtrack. First he could not materialize a style of his own but nevertheless he perfectly duplicate K.L. Saigal. Once, the great S.D Burman had come to Ashok Kumar's house to meet up when he listen Kishore singing. He genuinely thought it was K.L. Saigal singing and interrogate if he was there too! When he came to know that it was Kishore singing, he truly understand and supported the young boy to continue improving his voice but at the same time, materialize a style of his own.

Kishore fulfilled this advice in mind and went on materialize his own identification style. He accomplished yodeling, a unique style he heard amongst the Austrian music agglomeration of his brother Anoop. In Hindi film industry, his yodeling turned out to be widely popular and became a brand of Kishore Kumar. His songs sounded absolutely natural, like laughter. He used to consolidate non-sensical terms into his songs and give it an  exclusively new feel. The ability to translate his voice according to not just the scene but also the actor is something that was truly extraordinary of Kishore. He has sung soulful songs for Dev Anand and also fun filled songs for Rajesh Khanna.

After Rajesh Khanna went out of the scene, Kishore Kumar belted out chart topping hits for superstar Amitabh Bachchan. When R.D. Burman stormed the music world, Kishore Kumar re-surfaced with hits like Roop Tera Mastana and many other melodious songs. Some films that procure a special mention are Hum Kisi Se Kum Nahin, Kinara, Dream Girl, Anurodh, Sharabi, Mr. Natwarlal, Gol Maal, Dostana, Manzil, Padosan, Shalimar, Khatta Meetha, Kasme Vaade, Ghar, Don, Muqaddar Ka Sikandar, Chalti Ka Naam Gaadi, Dilli Ka Thug, etc.

When his popularity began to diminish during mid 80's, he retired and wanted to return back to Khandwa, his native place. Unfortunately, it was not insignificant to be. On October 13th 1987, unintentional the birthday of his elder brother Ashok Kumar, Kishore go through a heart attack and breathed his last. His inconvenient and unpredictable death shocked the entire nation. Kishore Kumar married four times and his eldest son Amit Kumar also ventured into the world of music.

 
KISHOR KUMAR Bengali song Download here :
Kishor VOL-1
Rabindra Sangeet 

Old is Gold ASHA BHOSLE (LEGEND) Review and Songs

ASHA BHOSLE

ASHA BHOSLE Bengali Songs Download here :

ASHA VOL-1
Album Mone rakho

Bengali Movie Chaya Manush(2014) Movie Review

Chaya Manush

Cast: Soumitra Chatterjee, Raima Sen, Paoli Dam, Kaushik Ganguly, 
          Debdoot Dutta. 

Director: Arindam Mamdo Dey 
Producer: Pankaj Agarwal 
Music: Anupam Roy  
Cinematography: Shrisha Ray  
Editing: Bodhaditya Banerjee  
Art Direction: Mridul Baidya 
Screenplay: Arijit Biswas 
Story/Writer: Arijit Biswas  
Choreography: Sudarshan Chakraborty

Director Arindam Dey's Chaya Manush scrutinize several archetype  within the real and unreal spaces. Rahul (Parambrata Chattopadhyay) is a struggling writer who is stuck within his failures. He competition hard to pull himself out of the long dark tunnel but with very less hope. At a juncture when his writing is not paying him off anymore and his wife and son have left him alone he meets Pranotosh Dayal Dinobondhu (Kaushik Ganguly). Dayal is the know-it all man, he intervenes and assures Rahul that he and his company work for mankind's good.

He pulls all the weak threads in Rahul's life like an expert creature and promises to consolidate them eventually. A series of events makes Rahul accessible and forces him to cross path with Dayal. Trisha (Paoli Dam) is Rahul's journalist friend who warns him not to become influenced towards Dayal's fake promises. Rahul however moves on, signs up the pact for Dayal, clears off his debts and sets out on a trip to North Bengal for a representative writing assignment.

All evil breaks lose and the story begins to get all the more interesting and confusing at North Bengal until everything is finally resolved at the end.

Actors Parambrata Chattopadhyay and Kaushik Ganguly have overwhelming carried Chaya Manush on their curl without drooping. proficient actor Soumitra Chatterjee is good but could not adumbrate Rahul and Dayal. Both Paoli Dam and Raima Sen are straightforward and suit their individual role quite well. Even though director Arindam Dey has to be thanked for introducing such a script on screen but he should have understood his strength and weakness and could have passed on the baton of direction into able hands.

Chaya Manush is a straightforward watch till the time you don't know what to expect. Once the spell is broken you will not bear the pain of watching it all over again.

Flim Song Download here :
Kapaler Bhaje II.mp3
Kapaler Bhaje.mp3
Janala Mp3. 

Obhishopto Nighty(2014) Bengali Flim Review

Obhishopto Night

Cast: Paoli Dam, Parambrata Chatterjee, Tanushree Chakraborty  
Director: Birsa Dasgupta  
Producer: Shrikant Mohta  
Story/Writer: Devalaya Bhattacharya

When the world is full of artificial  and there is emergency all around, how do you discover the truth? The wait is to identify the real. The quest is to make way for a change. Birsa Dasgupta takes the squalid, funny path to unveil the truth. The naked truth or real love is not easy in today's world where every next person believes in exchange. What if this exchange, this craving for the best comes as a boomerang and teaches humanity a lesson? Yes, the grass in greener on the other side until you step into the same wild grass. Maybe the facts are furious but the introduction was too entertaining. Director Birsa Dasgupta and writer Debaloy Chatterjee has worked on overthrow. Their gesture on screen was simple and squalid, they have not tried to be experienced, not tried to be too urban to suit the taste of some.

Life is sensitive, so why not present it sensitively. They have laughed at familial situations, at love and even made a fool of themselves through the subject of censor board. A extraordinary nighty makes way to the city and travels homes. Homes that are orthodox, homes that are too traditional, homes that have a newly married couple and homes that have a striving actress. Life automatically alters the moment the women wear this piece of lacy cloth. But what next? The nighty conquers the city. It makes way to the headlines and drapes the city in its own colors. The film begins with a sequence happening in 1985 and jumps straight to the present. Every story along the nighty's path remains incomplete. A question keeps hidden on our minds as to what happens to the family after the nighty moves out?

brilliant, metaphorical dialogues and settings bring a new wave on screen and definitely is a breather in the midst of the ordinary. Director Dasgupta has maintain an excellent scheme of narration in the film, which truly reminds us of graphic novels. The film is divided into interesting chapters and he distinctly sculptor the edges to present each chapter individually. Moving from hook to hook the Obhishopto Nighty (cursed Nighty) finally meets real love. Love that develop between Apu (Parambrata Chattopadhyay) and Brishti (Tanusree).

With a whole series of fine actors from Parambrata to sophisticated actor Paran Bandapadhay to the buffoon Mir Obhishopto Nighty definitely is a winner. The music of the film is definitely nostalgic and sets the mood right with the knowledgeable lyrics. While Birsa Dasgupta deserves a pat for the storybook like format of the narrative Debaloy Chatterjee warrant an extra brownie for the dialogues.

If you cannot contemplate the joke, simply dispose in the fun. Obhishopto Nighty is a perfect watch for people in communication, all sorts are welcome. The paltry humor is beautiful and leaves a hidden taste for the time to come.

Songs of the Flim Download here :
Roddur Female.mp3  
Ei-Toh-Shobe-Shuru.mp3 
Sadher Lighty -Arijit Singh.mp3